About the Song
Released in November 1967 on the album The One and Only, “It’s All Over Now” finds Jennings stepping into a space of resignation and reflection—recognising that a chapter has closed, and the only choice left is to let it be.
The original song, penned by Bobby Womack and Shirley Jean Womack and popularised by The Rolling Stones, is given a straightforward yet emotionally grounded interpretation here. While Jennings honours the song’s heartache, his version is less about dramatic proclamation and more about quiet acceptance. You hear a seasoned voice acknowledging the end of something meaningful—not with bitterness but with a kind of settled clarity.
Musically, this track sits firmly in Jennings’ Nashville-era sound: clean production, clear vocals, and an arrangement that gives space for the story rather than overshadowing it. The instrumentation supports rather than competes—guitar, rhythm section, and straightforward structure—letting Jennings’ voice carry the weight of the words.
For listeners who have moved through long-term relationships, watched time inch forward, or lived through transitions large and small, “It’s All Over Now” can feel like a companion song. It’s the moment when you stop fighting the tide and simply recognise what has passed. And for older listeners especially, this kind of emotional realism—presented without fanfare—resonates deeply.
In the broader context of Jennings’ career, this track may not be among his most celebrated “outlaw” moments, but it is significant. It captures a performer still in evolution, blending vulnerability with resolve. And in doing so, it reminds us that sometimes the strongest part of the story is admitting the end—and stepping into what comes next.